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It’s not like a year could ever be characterized as “funny” — there are far too many moving parts for a through line of the hilariously whimsical or gut-bustingly amusing to ever take hold to a point of overwhelming dominance over time and space. The best-case scenario we can hope for, for a year, is mundane and uneventful … and 2020 was not that. One could go so far as to say that 2020 was a terrible, horrible, very bad, no good year. Not only was it an election year with its requisite nastiness, but it was one where a staggering number of people got sick and died, and another staggering number of people responded to that sickness and death with an emphatic “meh.”
Shutdowns, lockdowns, isolation, and loneliness were a matter of course for many this year, along with the needs to fill free time, practice self-care, and relieve tension. Comedy did its job and provided us poor saps of 2020 with the mirth and day-filling we so desperately needed. This was particularly true for books — books by comedians, books about major comic films and television shows, comic novels, and absurd takes on reality all helped push back the crushing blows of the year with light, laughter, humor, and cleverness. Here then are the ten most notable comedy books of 2020.
Comedy is really just the intersection point between surprise, revelation, and joy, so it can be found anywhere. One can argue that life is innately a comedy, and so it’s an absolute delight when a true story well told is naturally funny. Joe Berkowitz seeks out these stories by exploring scarcely documented subcultures, such as the world of competitive pun-making in his 2017 bookAway With Wordsand profoundly devoted cheesemaking in his latest,American Cheese. It’s a nutty, chewy, perfectly aged slice-of-life study of the people who make the greatest cheeses in the United States. Butwhyis it so funny? Well, harmless (or even helpful) obsession is always hilarious, but so is cheese itself. It’s a funny word, and the fact that it’s made from weird aged milk is a glitch in the matrix that is life. While he peppers the book with amusing descriptions (e.g., likening fondue pots to jacuzzis, nicknaming the cheese compound tyrosine “flavor crunchies”), Berkowitz serves primarily as a journalist and not joke teller, letting the silliness of situations speak for themselves, like when he attends a massive cheese party literally called the Cheese Ball, and which is hosted by “Madame Fromage.”
It seems like every famous person eventually gets to write a collection of humorous essays. The best books of this nature are the self-deprecating ones about the individual’s rocky path to success and/or self-actualization, and Rachel Bloom’s is exactly that. Her comic voice lends itself well to this skewed Sedaris format — whether it’sCrazy Ex-Girlfriendor her musical comedy web videos, Bloom’s work is emotionally raw, self-deprecating, and cringe-inducingly relatable, even at its most absurd. We like Rachel Bloom because she gives us permission to admit when we’re clueless. Also, this book boasts the best cover of the year, straight off of the kind of Judy Blume novel that clearly inspired the author’s many endeavors.
I love any piece of entertainment that can take the smallest bit and boldly run with it for the entirety of a work. Richard Ayoade wrote a whole book about the forgettable movieA View From the Top, and the filmMortdecaiis essentially 90 minutes of mustache jokes. It’s admirably ambitious to extend a premise to supernatural heights, repeating and riffing off of the same limited material for so long that it becomes a dazzling comedic feat that manages to simultaneously express that its subject is very meaningful and also not meaningful at all. Nicole Byer, enchanting and charismatic in all of her onscreen performances, pulls this off with#VERYFAT #VERYBRAVE, which is an entire book about overweight people wearing swimsuits, and how they are called courageous for doing so on social media, perhaps patronizingly. And yet,#VERYFAT #VERYBRAVEwildly and boisterously encourages the reader to accept themselves for how they are … and also subtly states that it’s absurd and sad that non-thin people have to even be told to have fun not give a damn what other people think.
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