funny underground comics
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Underground comics (or "comix") are small press or self-published comic books that first emerged in the 1960's. They came about as an artistic response to the mainstream, Comics Code Authority-approved comics, which focused on superheroes, war, romance, and juvenile humor, while ignoring many of the real-life issues affecting their readers. Underground comics took on these topics forbidden in the mainstream, including explicit drug use, sexuality and violence. They were most popular from the late 1960's to the early 1980's.
Underground comics were popular with the hippie counterculture and punk scenes. Produced by people like Robert Crumb, Gilbert Shelton, and Gary Panter, the comics tapped into the zeitgeist of the youth culture, exploring themes of distrust in government, the horrors of daily life, and the fading of The American Dream.
Underground comics gained prominence and influence, as is evidenced in such works as The Movie ofFritz the Cat,Down and Dirty DuckandMonty Python's Flying Circus. Also,Zippy the PinheadandTeenage Mutant Ninja Turtlesoriginally began as underground comics before gaining mainstream success (in Zippy's case, syndication in newspapers, whereas the Turtles were basically commercialized and pimped out by major corporations). Even mainstream comic books weren't immune, and took on underground themes, as withHoward the Duck. Their legacy is most obvious with Alternative Comics, the genre's Spiritual Successor.
This movement helped to kick off the Furry Fandom early on due to the sheer number of attempts to subvert the belief that "all comics are Funny Animals" that was pervading the mainstream comics industry in the 70s, by basically taking those characters and putting them in adult or sexual situations.
Still other underground comics were important not for the sex and violence, but because they could be experimental in other ways; exploring subject matter that was mundane rather than fantastic, or experimenting with the medium of comics itself.
Underground comix are small press or self-published comic books which are often socially relevant or satirical in nature. They differ from mainstream comics in depicting content forbidden to mainstream publications by the Comics Code Authority, including explicit drug use, sexuality and violence. They were most popular in the United States between 1968 and 1975, and in the United Kingdom between 1973 and 1974.
Robert Crumb, Gilbert Shelton, and numerous other cartoonists created underground titles that were popular with readers within the counterculture scene. Punk had its own comic artists like Gary Panter. Long after their heyday underground comix gained prominence with films and television shows influenced by the movement and with mainstream comic books, but their legacy is most obvious with alternative comics.
The United States underground comics scene emerged in the 1960s, focusing on subjects dear to the counterculture: recreational drug use, politics, rock music and free love. These titles were termed “comix” in order to differentiate them from mainstream publications. The “X” also emphasized the X-rated contents of the publications. Many of the common aspects of the underground comix scene were in response to the strong restrictions forced upon mainstream publications by the Comics Code Authority, which refused publications featuring depictions of violence, sexuality, drug use and socially relevant content, all of which appeared in greater levels in underground comix. The underground comix scene had its strongest success in the United States between 1968 and 1975, with titles initially distributed primarily though head shops. Underground comix often featured covers intended to appeal to the drug culture, and imitated LSD-inspired posters to increase sales. Crumb stated that the appeal of underground comix was their lack of censorship: “People forget that that was what it was all about. That was why we did it. We didn’t have anybody standing over us saying ‘No, you can’t draw this’ or ‘You can’t show that’. We could do whatever we wanted.”
In 1968, Crumb, in San Francisco, California, self-published his first solo comic, Zap Comix. The title was financially successful, and from issue # 3 was published by The Print Mint. Zap developed a market for underground comix. Zap began to feature other cartoonists, and Crumb launched a series of solo titles, including Despair, Uneeda (both published by Print Mint in 1969), Big Ass Comics, R. Crumb’s Comics and Stories, Motor City Comics (all published by Rip Off Press in 1969), Home Grown Funnies (Kitchen Sink Press, 1971) and Hytone Comix (Apex Novelties, 1971), in addition to founding the pornographic anthologies Jiz and Snatch (both Apex Novelties, 1969).
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