fun comic book movies
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Comic-book movies are a big business. As with horror and sci-fi, genre films have taken a step out of the dark (or the page, in this case) to become true cultural phenomenons. They’re now a multi-billion dollar industry that dominates any year’s film release schedule, with the trailers, cast announcements and costume changes becoming events in themselves.
Now, what with the genre-expanding to include everything from brooding anti-heroes or spandex-clad defenders of justice, tales of action, adventure, murder, mayhem and, er, record-collecting, we’ve knuckled down and picked the 50 best comic-book flicks ever made... and we brought director/comic expert Edgar Wright along to weigh in on his favorites as well.
In 480BC, around 300 Spartans (plus countless doomed slaves, but let’s not quibble) really did hold off the entire Persian army – so adapting the incident into an action movie should’ve been a doddle. Sadly, barely a performance in300 isn’t hamstrung by a one-note declamatory style or can overcome the limitations of a script that struggles to develop the source material. Amid the almost constant clash and thunder of battle/weather/man-hugging those faults are barely apparent, but in the film’s few quiet moments, actors, writers and director are left awkwardly exposed.PF
Comic-movie fans love to feel a bit naughty – just witness the monumental success of the ‘daring’, ‘adult’ (read: sweary and blood-spattered)Deadpool. It all started withKick-Ass, British director Matthew Vaughn’s knowing, foul-mouthed subversion of the genre in which Aaron Taylor-Johnson plays the hapless teenager who decides to transform himself into a superhero. Nicolas Cage wins MVP as the loveable Big Daddy, and the film could use a lot more of his winning, off-beam charm to counteract the air of bratty cynicism. TH
The real Inspector Frederick Abberline, head of the Jack the Ripper investigation, was a faintly dull old duffer who retired to the seaside.From Hell author Alan Moore’s Inspector Abberline was a middle-aged, rather puritanical flatfoot. The Hughes brothers’s Abbeline is Johnny Depp crunked up on absinthe and opium, subject to hideous visions, troubled by the death of his wife and heading for an early grave – and all the better for it. Despite a contrived feel to the ‘happy’ ending, fans of Moore should feel well served by the overall miasma of grotty hopelessness that givesFrom Hell its faithful credibility. PF
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20th Century Fox
Since the massive success of Christopher Nolan’s historicThe Dark Knight, the film industry has changed – for better or worse. Comic book superhero movies are the new norm. They hit the theaters nearly every month, spanning multiple films, universes, and, sometimes, studios. While the spectacle of superhero films are afforded large budgets, shrinking what used to be a wider range of how studios spent their money, they've also fallen into the trap of self-seriousness. But thanks to smaller, independent comics and studios at times taking chances, some superhero films go for more of a fun tone. Like Marvel compared to DC; Marvel will often hijack the film and funnel its premise into a comedy. Comic book movies for a long time have been hilarious, wicked good times. These are the best comic book movies that strive to split your sides.
20th Century Fox
Matthew Vaughn’s trek in the world of comic book cinema started with the darkly humorous romp that wasKick-Ass. Taking the raunchy humor and delicate balance of comic violence with brutal kills and taut hand-to-hand combat,Kingsman: The Secret Servicewas another home run for the British director. Not only poking fun at many of the Bond films for their ridiculous British spy antics, butKingsmanalso turns the dial all the way up with its gratuitous humor. Led by a star-making performance from the now Oscar-nominated Taron Egerton as Eggsy, the street-punk recruited into the world of espionage,Kingsmanwas a stellar origin story for an unlikely franchise and had one of the craziest fight scenes in the middle of a church to date.
20th Century Fox
Ryan Reynolds' fourth wall-breaking "dream project," per Variety, finally came to fruition. Given the ultra-success of the MCU and their domination of theaters worldwide, Marvel and 20th Century Fox decided to take a chance. The studio made an ultra-raunchy and hyper-violent movie that rightfully matched Deadpool’s devilish persona, honoring what made him a fan favorite in the comics. A perfect vessel for Reynolds’ swarm, sarcastic charm,Deadpool, and the risk of making an R-rated revenge tale, paid dividends, with a now third film in the works.
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